I like this cover by E.M. Stevenson. This issue of COWBOY STORIES is one of those rare Western pulps that features an airplane on the cover, and Stevenson's done a good job with it. I'm really intrigued about what's going on here. Inside are stories by J. Allan Dunn (a reprint of a Bud Jones story from an issue of WILD WEST WEEKLY that came out a year or so earlier), Forbes Parkhill, Robert Enders Allen (who was really Chandler Whipple), Ray Humphreys, Raymond W. Porter, and some lesser-known authors. Maybe not a top issue, based on that line-up, but I'll bet it was pretty entertaining anyway. And I'd have probably bought it just based on the cover if I had an extra dime in my pocket.
I’ve read quite a bit of Henry Kuttner’s work and
always enjoyed it. He’s one of my favorite science fiction and fantasy authors
from the pulp era and can always be counted on for well-written, fast-moving
yarns. That’s certainly true of LANDS OF THE EARTHQUAKE, a short novel
originally published in the May 1947 issue of STARTLING STORIES (under the
editorship of my old mentor Sam Merwin Jr., I might add).
LANDS OF THE EARTHQUAKE finds an apparently normal New Yorker, William Boyce,
having a black-out that loses a whole year for him. He doesn’t have amnesia, he
knows who he is, but that missing year is just gone except for the occasional
memory, the most haunting of which is of a beautiful young woman. He also
remembers a man’s face, and when he spots the guy on the street, Boyce follows
him to an old brownstone and winds up going through some sort of mystical
gateway to another dimension where time stands still but space moves in
rippling waves that cause entire cities to shift around like ships on an ocean.
Two such places seem to be anchored to each other, though: a massive castle
called Kerak that’s inhabited by a group of Crusading knights who wandered in
there from our world six hundred years ago, and the City, which is ruled by a
king who’s made an unholy alliance with a group of evil, otherworldly
Got all that? Because that’s mostly back-story. Kuttner knew how to pack a plot
with a lot of good stuff.
Boyce falls in with the Crusaders and helps them in their war with the City. He
meets a wizard and sees a living marble statue of a beautiful young woman
called the Oracle. He clashes with the mysterious Huntsman, who manipulates
events in this strange land according to his own enigmatic agenda. He becomes
acquainted with one of his own ancestors, the arrogant Crusader Guillaime du
Bois. Eventually he assumes Guillaime’s identity and penetrates the City as a
spy, where he finally encounters the young woman he remembers from his
black-out and discovers the truth of everything that’s going on. Epic stuff
There’s a little semi-science here and there, but mostly this novel falls on
the sword-and-sorcery side of things, and a mighty good one it is, too. Kuttner
frequently collaborated with his wife C.L. Moore, and although the details are
lost to the mists of pulp history, it seems very likely to me that she
contributed some to LANDS OF THE EARTHQUAKE, mostly in the vivid descriptions
that crop up from time to time. The straight-ahead action/adventure elements
strike me more as Kuttner’s work, though, and those scenes race along very nicely.
The theme of the duality of human nature, some good and some bad in everybody,
is also worked into the story subtly and effectively, giving the tale some
Overall, I think this is one of my favorite Kuttner novels so far. It’s
available in an e-book version and also as half of a double novel print volume
with UNDER A DIM BLUE SUN by Howie K. Bentley. I enjoyed it and give it a high
This latest entry in The Wild Adventures of Doc Savage is a sequel to one of the original pulp novels by Lester Dent. I won't say which one because that would be a spoiler of sorts, but anyone who's read it will recognize it right away. I recall reading that particular novel at my aunt's house in Blanket, Texas more than 50 years ago, and I'm sure the thought that I'd be reading a sequel to it half a century later never occurred to me. That said, I'm really glad I did, because I thoroughly enjoyed MR. CALAMITY. It's one of the rare Doc Savage novels that's also a Western of sorts, being set in Wyoming and featuring cowboys and rustlers galloping around on horseback and firing six-shooters. Of course, there's plenty of the usual Doc Savage superscience, too, in this tale of something that makes gravity go wild so that objects--including human beings--go flying in the air, sometimes all the way to the stratosphere. This one starts when Pat Savage, Doc's gorgeous, trouble-hunting cousin, is prospecting in the badlands near a ranch that Doc's associate Long Tom Roberts (the electronics genius) inherited from an uncle. Pat spies a man swimming in mid-air, hundreds of feet high. When the effect wears off, he plunges to his death. He won't be the last such victim of this mystery. Doc, Renny, and Johnny show up eventually. (You know who Renny and Johnny are, right? Colonel John Renwick and William Harper Littlejohn?) Much action ensues. People die, including some you wouldn't expect. Murray does a fine job with the Western setting and elements. I've been to some of the places he writes about in this novel, and he captures them perfectly. There's a big twist that every Doc Savage fan will see coming a mile away, and as far as I'm concerned, that's part of the charm of the series and the way it ought to be. Man, did I have fun reading this book. If you're a Doc fan, you will, too. I guarantee it. Highly recommended.
The cover on this issue of CLUES DETECTIVE STORIES makes it look more like an adventure pulp than a mystery magazine, at least to me. And the presence of E. Hoffmann Price with the lead novel makes it just seem even more like that. But that's okay with me, since I always like Price's work. Also in this issue are stories by Cleve F. Adams, Paul Ernst, William Merriam Rouse, Arden X. Pangborn, and others.
Another fine Norman Saunders cover (is there any other kind?) on this issue of WESTERN ACES, and a pretty solid line-up of authors inside, as well. There are the usual two stories by J. Edward Leithead, one under his name and one as by Wilson L. Covert, plus stories by two more of my favorites, Walker A. Tompkins and Gunnison Steele, real name Bennie Gardner. The cover-featured story is by Glenn Low, who published quite a few stories in the Western pulps during the Forties, then went on to write soft-core novels for Beacon Books and Novel Books, the only one of which I've read, THE BARN, was pretty good.
T.W. Ford was a very prolific pulp writer, authoring several
hundred Western, detective, and sports yarns over a long career. He also worked
as a pulp editor but is almost completely forgotten today. The fact that he
wrote only a few novels probably has something to do with that, as well as the
wildly inconsistent quality of his fiction. His work was popular, though, and
was often featured on the covers of the pulps in which it appeared. His most
successful series starred a drifting, heroic gunfighter named Solo Strant (an
odd name for a pulp hero), who was also known by the more conventional nickname
The Silver Kid because of the silver buttons on his black shirt, the silver
conchos on his chaps and the band of his black hat, his silver-butted Colts,
and the small silver skull that adorns his hat’s neck strap. Ford wrote more
than sixty Silver Kid stories between 1935 and 1950. At first they appeared
regularly in WILD WEST WEEKLY and then eventually migrated over to the Columbia
pulps REAL WESTERN, DOUBLE ACTION WESTERN, WESTERN ACTION, and COMPLETE COWBOY.
Most of them were either novelette or novella length, sometimes billed as
full-length novels even though they actually weren’t.
Several years ago I started one of the later Silver Kid stories and didn’t care
for it, didn’t even finish it. But recently I read one of the earlier ones from
WILD WEST WEEKLY, “Dead Man’s Rancho” (from the September 3, 1938 issue), and
thought it was much better. In this one, the Kid helps a posse capture an
escaped convict, only to discover that the man is actually innocent and in such
poor health that he’ll die in prison. The proof that will clear the man’s name
and save him from an unjust fate is in the hands of an outlaw who’s headed for
a place called Dead Man’s Rancho, a notorious outlaw hideout in the desert
where only the lowest, most desperate owlhoots go because the place is supposed
to be cursed. The man who built it went insane and disappeared into the desert,
but there are rumors that he’s still alive, somewhere out there . . .
Well, of course Solo doesn’t let any of this stop him from going after the
proof he needs to save the unjustly imprisoned man, and along the way Ford adds
some extra complications in the form of a murderous gambler and a fortune in
missing bank loot. There’s plenty of action, and a few genuinely creepy scenes
work very well.
I mentioned the inconsistency of Ford’s work. He’s one of the few authors I’ve
encountered whose prose can be really good and really bad not just in the same
story but sometimes on the same page. There are a few clunkers in this yarn.
But there are also some great lines of dialogue and paragraphs that just sing.
I really enjoyed “Dead Man’s Rancho” and think I’m going to have to hunt up
more Silver Kid stories. This one is available in an e-book collection called
THE PULP WESTERN ANTHOLOGY VOLUME 1, and if you’re a Western pulp fan, I think
it’s well worth reading.
I've read quite a few of the original Dan Fowler novels from the pulp G-MEN and always enjoyed them. THE LEAGUE OF DEAD PATRIOTS is a new Fowler novella written by Andrew Salmon, one of the stalwarts of the New Pulp movement. I haven't read much New Pulp, but I really enjoyed this one. FBI agents Dan Fowler, Larry Kendal, and Sally Vane are in California trying to break up a black marketeering ring when they come across a connection to a Japanese internment camp in the area. The case is also complicated by the involvement of the beautiful crimefighter known as the Domino Lady, another pulp character who's actually had more stories about her written and published in this era than during her original run. Another, much more well-known pulp hero makes a cameo appearance as well. Salmon keeps the pace perking along nicely and has a good grasp of the characters. I found the Domino Lady to be pretty interesting and actually bought an e-book collection of the original pulp stories about her. Once I've read that I might give some of the other New Pulp volumes a try.
Sandy Greening loses her virginity at fourteen to a drunken neighbor. Her mother doesn't care. She's drunk herself all the time on cheap wine. So Sandy starts running with a gang, The Blue Devils, and that's where she first turns on to marijuana, and not long after, heroin. That's when she starts to sell herself to anyone with the bucks to pay for her highs. But the night Tommy asks her to hold his knife before they rumble with The Black Cats is the night that changes Sandy's life forever. A kid gets killed, and the cops put the finger on Sandy for information. And when she won't give it up the easy way, they set her up and go after it the hard way, all the way to reform school. And that's where Sandy starts to learn the real lessons of life.
When Jerry Rebner starts working for Mrs. Sprague as her cook at the Dells, he figures he knows what he wants Linda. Lush and ripe, Linda has everything Jerry likes in a woman, and more. Linda is married to Frank, Mrs. Sprague's shiftless hot rodding son, who widows her when he plows into a tree one drunken evening. Then Jerry meets Norma, sweet, virginal Norma, who used to pose as a nude model! Torn between the two women, and by the memory of his first wife, Jerry begins to drink. Then Linda comes to him with a plan. Mrs. Sprague's property is worth $50,000 to a development company, but she won't sell. Linda is all she has left, her sole heir. And those steps leading down to the cellar are awfully steep......
Orrie Hitt has become one of my favorite authors in recent years, and I take a little pride in helping to rekindle interest in his work through guest posts on my blog by Frank Loose and Brian Ritt examining his career. This upcoming double volume from Stark House looks great! I haven't read either of these novels yet, but Hitt's work for Beacon Books was some of his best. The Stark House volume is available for pre-order.
McShan is tough and smart, one of the top operatives
for the detective agency Honeycutt Personal Services. But he has his hands full
when he’s sent to the picturesque desert landscape of southeastern Arizona to
check on the well-being of a former Olympic gymnast who’s become involved with a
New Age cult. It doesn’t take long for murder to rear its ugly head, and McShan
finds himself neck-deep in a case involving vicious bikers, an unassuming
barber who may be a criminal mastermind, a wealthy entreprenuer hiding
dangerous secrets, and too many beautiful blondes with deadly secrets of their
Critically acclaimed thriller author Stephen Mertz
returns with a private eye novel in the classic mold, crackling with suspense
and plot twists, populated with compelling characters, and told with a sharp,
contemporary edge that will leave the reader breathless.
This issue of DETECTIVE SHORT STORIES features a number of authors better known for other types of fiction instead of mystery and detective yarns. Lee E. Wells and Rod Patterson wrote mostly Westerns in their careers. Bryce Walton was a triple threat but more highly regarded for his science fiction tales, along with being a prolific contributor to the Western pulps. Eric Howard and Ralph Berard (who was really Victor H. White) wrote a lot of Westerns. Ken Jason was a house-name used on all sorts of stories. The only authors in this issue I think of first and foremost as mystery writers are William Campbell Gault and Herbert Brean, and to be fair, Gault wrote a lot of other stuff, too. However, this sort of versatility is one of the things I admire the most about the pulpsters, so I'm sure this is a pretty good issue.